Showing posts with label Halloween. Show all posts
Showing posts with label Halloween. Show all posts

Friday, October 31, 2014

Classic Horror Trailers Part Two

As promised, here are even more classic horror film trailers to get you in the mood for Halloween!

TWICE TOLD TALES

FREAKS

THE BODY SNATCHER

KING KONG

THE INVISIBLE RAY

THE PICTURE OF DORIAN GRAY

TALES OF TERROR

PSYCHO

CREEPSHOW

TALES FROM THE CRYPT

HALLOWEEN

THE OMEN

Thursday, October 30, 2014

Classic Horror Trailers

As we approach Halloween tomorrow, let's take a look at the trailers for some the classic horror films that we've all come to know and love. If by chance you haven't seen some of these, perhaps the trailers will give you a glimpse of what you're missing out on!

DRACULA

FRANKENSTEIN

THE MUMMY

THE INVISIBLE MAN

THE BRIDE OF FRANKENSTEIN

THE WOLF MAN

CREATURE FROM THE BLACK LAGOON

DR. JEKYLL AND MR. HYDE

MAD LOVE

WHITE ZOMBIE

MORE COMING TOMORROW...........

Wednesday, October 30, 2013

Monday, October 28, 2013

Saturday, October 26, 2013

31 Days of Horror: Creepshow (1982)


Great stories by Stephen King, and great actors such as Leslie Nielson, Hal Holbrook, Fritz Weaver, E.G. Marshall as the stars. This also has a great comic book stylization for all of the stories that makes you think of the Tales from the Crypt comics, although there's no relation.

Monday, October 21, 2013

Tuesday, October 15, 2013

31 Days of Horror: Mad Love (1935)


One of my favorites, Mad Love features Peter Lorre at his creepiest in his first American film role. Lorre plays Dr. Gogol, a surgeon obsessed with an actress who's married to famed pianist Stephen Orlac. When Gogol transplants a murderer's hands onto Orlac after his have been mangled in a train accident, Gogol uses this to try to drive Orlac mad in order to have Orlac's wife. After seeing this film, Charlie Chaplin called Peter Lorre "the screen's greatest living actor", and he certainly gives a mesmerizing performance as the brilliant but isolated and obsessed surgeon, particularly near the end when his madness has taken over and he believes he is close to achieving his goals.


Saturday, October 12, 2013

31 Days of Horror: The Black Cat (1934)


The Black Cat is next on my list for Halloween viewing. This film marks the first time that Boris Karloff and Bela Lugosi were paired on screen and it also has the distinction of being the highest grossing film of 1934; a pretty big achievement when you consider that it only has a 65 minute run time! In those 65 minutes though, Edgar G. Ulmer packs in devil worship, torture, human sacrifice, murder, and a host of other items that would have caused the film to be banned if it had been released just a few months later when the production code went into effect. Besides a fantastic storyline, The Black Cat also has stunning visuals with a futuristic art deco set and lighting and camera angles that are reminiscent of German expressionist film. A unique and thrilling horror, The Black Cat should not be missed!

Friday, October 11, 2013

31 Days of Horror: The Body Snatcher (1945)


The crimes of the infamous murderers Burke and Hare were the basis for Robert Louis Stevenson's short story, later turned into a film, The Body Snatcher. Produced by Val Lewton and directed by Robert Wise, The Body Snatcher was one of RKO's great atmospheric horror films, providing chills more through suggestion than through the actual revelation of a monster. These atmospheric touches were the work of Val Lewton, who became famous for creating high quality horror on low budgets. When you have a story of grave robbing, spooky atmosphere, and Boris Karloff and Bela Lugosi in their last screen pairing together, you get a creepy classic that, for me, has become a Halloween viewing tradition. 

Thursday, October 10, 2013

31 Days of Horror: The Omen (1976)


One of my absolute favorites, you simply can't skip over The Omen when planning your Halloween viewing! It may sound a bit gruesome, but one of my favorite things about this film is the unique ways in which many of the characters die, and they're all in the guise of being accidents. The fact that many of the things that occur in the film can be passed off as coincidence or accident is perhaps one of the things that makes The Omen a classic and so memorable. Without an obvious presence of supernatural activity, it's very easy to believe that these things could really happen